The idea that love can overcome any barrier is nice in theory. In reality, it is less than practical.
That doesn't mean, love can't overcome differences in backgrounds, family, social standing, economic disparities, educational experience, and future goals. But if members of a couple think that declarations of affection are enough, they are kidding themselves.
In Rear Window, Jeffries argues that (1) Lisa wants him to change (she implies he could change by becoming a society photographer, which, of course, he would loath); (2) Lisa isn't prepared for the life he leads. He is entirely correct, at least in that moment. The exchange also produces one of the best lines by Jeffries: "I'm just trying to make [my lifestyle] sound good."
They come together over the case. Lisa is daring and clever. Moreover, the script implies a few times that she is not entirely enthralled by her shop-lunch-get-quotes-from-celebrities lifestyle. She may in fact be up for jaunts in the wild.Which doesn't mean Lisa has subordinated her personality. She still is greatly interested in fashion, which world can be cut-throat in its own way.
The relationship could possibly work if both parties accepted that certain things they do are off-limits. So Jeffries visits warlords and takes pictures, then returns to Paris where Lisa is easily navigating political and personal minefields within the fashion world. He attends a show. And then they both go to, say, the 1956 Olympics or the first interfaith meeting in Morocco or a session of the House Un-American Activities Committee.
In other words, I don't think Lisa should be hanging out around the Suez Crisis with Jeffries. It has nothing to do with competence or well-meaningness. It has everything to do with experience. And I rather suspect that Jeffries' sardonic comments may not go over terribly well with Balenciaga (though fashion designers are fairly tough), especially since it is doubtful that he would have any idea what he was talking about.
They could be a working couple, who each respect the work the other does partly alone.