The book got me thinking about physical disabilities in fiction. Generally speaking, I don't always find them terribly realistic. Far too often, they seem to involve the protagonist feeling as Izzy does followed by the secondary protagonist, the lover, reassuring the first protagonist, "No, no, it was never a concern!"
Really? Never a concern? Seriously? Yeah, that makes absolutely no sense. It's rather like books where one protagonist purports to love the soul of another. The love is so abstract, it seems kind of valueless. After all, the difficulty and wonder of love is the reality of the physical, everyday experience.
The manga Love in the Palm of His Hand is far more realistic (so far--Volume 3 comes out in April). Keito, who is deaf, worries that his disability will make life difficult for his boyfriend. Fujinaga worries that he can't learn sign and that his presence will keep Keito from being comfortable in a group of signing friends. They have various mishaps with communication. Keito's brother is less than supportive of their relationship. Both young men worry about Keito being able to enjoy Fujinaga's stage acting.What is impressive is that signing (referenced by the title) is not a solve-it-once-because-the-relationship-is-so-perfect event. It is part of the entire relationship. Fujinaga's over-the-top stage acting style has lost him film roles. Yet that same physical expression fits with what he wants to do in the long run. And it enables him to quickly comprehend and enjoy communicating with his boyfriend.
Disability is used NOT as "see, the lovers overcame something--hurrah" but, rather, as a way to explore how a relationship functions between two distinct people.

