Wednesday, October 28, 2026

Shakespeare's Couples: Perdita and Florizel

Winter's Tale is the play with the line "Exit, Pursued by a Bear." Wikipedia gets snarky about how no bears were used in Elizabethean (Jacobean) theater. However, since people of the time period knew about bears and they did show up in other venues, I don't see the confusion. I think it is more than possible that Shakespeare wrote "Pursued by a Bear" and then left the stage manager to go "Are you nuts? We can't get a bear!" 

I watched the Animated Shakespeare version, which distilled the plot into a tidy 25 minutes or so. Arguably, that's enough. It's also enough to indicate that Shakespeare was taking several themes and plotlines that show up in his later plays and distilling them into something that at least resembles a plot. 

However, unlike in his earlier plays, it is difficult to warm to the lovers. Leontes is a jerk. Hermione may or may not have died. Perdita is one of those unlikely heroines who moves easily from her peasant upbringing to a court (whilst suffering none of the problems of a near-starvation diet). And Florizel irritates his father by getting engaged without asking permission. 

Perdita and Florizel at least have space in which to build a relationship. If so, it occurs mostly off-stage. Act III opens 16 years after Perdita is abandoned in the Bohemian countryside. Florizel is already hanging out with Perdita on a regular basis. Florizel does state that he met Perdita when following the flight of his falcon (nice add-in, Shakespeare!). Unfortunately, the opening discussion between Perdita and Florizel is not between bantering lovers but between an angsty Perdita (What if your dad finds out?) and a blithe Florizel (Hey, I can date whomever I want). 

It's hard not to see a major change in Shakespeare. Granted, there's no way to know how and with whom the plays were written, so it's unfair to put too much emphasis on such changes. 

Nevertheless, as I reach the end of the Shakespeare Couples list, one could argue that Shakespeare gave up the bantering, clever, likable partner couples of earlier plays for plays where the couples are mere props for plays about other stuff. The enamored couple gives way to kings who have kind of lost it.  

He was free(ish) of course to write whatever he wanted. But I find the change rather sad.